In 2000 was founded the technical course in computer science, in the C|A|C, with the goal of reaching the valley of Itajaí, with average post and external courses, in 2004 was founded the course simultaneously , with the intention of doing a computer course in conjunction with high school, and to attract more people with the vantage of staying on the college from morning to afternoon, an idea that worked very well, being one of the most competitive courses to enter the Federal Institute, now with the reform of the college and with the insertion of a university of the same lineage, information systems, hopes to attract further public to attend the Institute.
Thursday, April 29, 2010
Tuesday, April 27, 2010
PAST CONTINUOUS
Use:
The Past Continuous Tense is used to refer to action that was occurring in the past or was discontinued.
Structure:
Verb To Be in the past:
Was, Were
Was, Were
Verb-ing:
Talk – talking
Talk – talking
AFIRMATIVE
Subject + Verb To Be (was/were) + Verb (-ing) + Complement.
Ex: Steve was talking on phone.
Subject + Verb To Be (was/were) + Verb (-ing) + Complement.
Ex: Steve was talking on phone.
INTERROGATIVE
Change the Subject with the auxiliary verb.
Ex: Was Steve talking on phone?
Change the Subject with the auxiliary verb.
Ex: Was Steve talking on phone?
NEGATIVE
Add “not” to Verb To Be.
Ex: Steve was not talking on phone.
Steve wasn’t talking on phone.
Add “not” to Verb To Be.
Ex: Steve was not talking on phone.
Steve wasn’t talking on phone.
I WAS HOPING - ALANIS MORISSETTE
My wife is in the next room,
We've been having troubles you know,
Please don't tell her or anyone,
But I need to talk to somebody.
We've been having troubles you know,
Please don't tell her or anyone,
But I need to talk to somebody.
You said, "Wouldn't it be a shame if I knew how great I was
Five minutes before I died? I'd be filled with such regret
Before I took my last breath."
And I said, "You're willing to tell me this now, and you're not going to die
anytime soon."
And I said I haven't been eating chicken,
Or meat,
Or anything.
Five minutes before I died? I'd be filled with such regret
Before I took my last breath."
And I said, "You're willing to tell me this now, and you're not going to die
anytime soon."
And I said I haven't been eating chicken,
Or meat,
Or anything.
And you said yes, but you've been wearing leather and laughed and said
We're at the top of the food chain.
And yes you're still a fine woman,
And I cringed.
We're at the top of the food chain.
And yes you're still a fine woman,
And I cringed.
I was hoping,
I was hoping we could heal each other.
I was hoping,
I was hoping we could be raw together.
I was hoping we could heal each other.
I was hoping,
I was hoping we could be raw together.
We left the restaurant where the head waiter (in his 60's),said
"Good bye, sir. Thank you for your business sir. You're successful and
established, sir, and we like the frequency with which you dine here sir. And
your money."
And when I walked by, they said "Thank you too dear."
I was all pigtails and cords.
And there was a day when I would've said something like,
"Hey dude, I could buy and sell this place, so kiss it."
I too once thought I was owed something.
"Good bye, sir. Thank you for your business sir. You're successful and
established, sir, and we like the frequency with which you dine here sir. And
your money."
And when I walked by, they said "Thank you too dear."
I was all pigtails and cords.
And there was a day when I would've said something like,
"Hey dude, I could buy and sell this place, so kiss it."
I too once thought I was owed something.
I was hoping,
I was hoping we could challenge each other.
I was hoping,
I was hoping we could crack each other up.
I was hoping we could challenge each other.
I was hoping,
I was hoping we could crack each other up.
I too thought that when proved wrong, I lost somehow.
I too thought life was cruel.
It's a cycle, really.
You think I'm with drawing and guilt tripping you.
I think you're insensitive and I don't feel heard.
I too thought life was cruel.
It's a cycle, really.
You think I'm with drawing and guilt tripping you.
I think you're insensitive and I don't feel heard.
And I said "Do you believe we are fundamentally judgmental?
Fundamentally evil?"
And you said Yes.
And I said I don't believe in revenge, in right or wrong, good or bad?
And you said "Well, what about the man that I saw handcuffed in the emergency
room,
Bleeding after beating his kid, and she threw a shoe at his head.
I think what he did was wrong, and I wouldn't have had a hardtime feeling
compassion for him."
I had to watch my tone for fear of having you feel judged.
Fundamentally evil?"
And you said Yes.
And I said I don't believe in revenge, in right or wrong, good or bad?
And you said "Well, what about the man that I saw handcuffed in the emergency
room,
Bleeding after beating his kid, and she threw a shoe at his head.
I think what he did was wrong, and I wouldn't have had a hardtime feeling
compassion for him."
I had to watch my tone for fear of having you feel judged.
I was hoping,
I was hoping we could dance together.
I was hoping,
I was hoping we could be creamy together.
I was hoping we could dance together.
I was hoping,
I was hoping we could be creamy together.
I STARTED A JOKE – FAITH NO MORE
I started a joke,
Which started the whole world crying,
But I didn't see that the joke was on me, oh no.
Which started the whole world crying,
But I didn't see that the joke was on me, oh no.
I started to cry,
Which started the whole world laughing,
Oh, if I'd only seen that the joke was on me.
Which started the whole world laughing,
Oh, if I'd only seen that the joke was on me.
I looked at the skies,
Running my hands over my eyes,
and I fell out of bed,
Hurting my head from things that I'd said.
Running my hands over my eyes,
and I fell out of bed,
Hurting my head from things that I'd said.
Til I finally died,
Which started the whole world living,
Oh, if I'd only seen that the joke was on me.
Which started the whole world living,
Oh, if I'd only seen that the joke was on me.
I looked at the skies,
Running my hands over my eyes,
And I fell out of bed,
Hurting my head from things that I'd said.
Running my hands over my eyes,
And I fell out of bed,
Hurting my head from things that I'd said.
'Til I finally died,
Which started the whole world living,
Oh, if I'd only seen that the joke was one me
Which started the whole world living,
Oh, if I'd only seen that the joke was one me
WOODSTOCK MUSIC FESTIVAL - 1969
Woodstock Music & Art Fair (informally, Woodstock or The Woodstock Festival) was a music festival, billed as "An Aquarian Exposition: 3 Days of Peace & Music", held at Max Yasgur's 600-acre (2.4 km²; 240 ha, 0.94 mi²) dairy farm near the hamlet of White Lake in the town of Bethel, New York, from August 15 to August 18, 1969. Bethel, in Sullivan County, is 43 miles (69 km) southwest of the town of Woodstock, New York, in adjoining Ulster County.
During the sometimes rainy weekend, thirty-two acts performed outdoors in front of 400,000 concert-goers. It is widely regarded as one of the greatest and most pivotal moments in popular music history and was listed among Rolling Stone's 50 Moments That Changed the History of Rock and Roll.
The event was captured in the successful 1970 documentary movie Woodstock, an accompanying soundtrack album, and Joni Mitchell's song "Woodstock" which commemorated the event and became a major hit for Crosby, Stills, Nash & Young.
During the sometimes rainy weekend, thirty-two acts performed outdoors in front of 400,000 concert-goers. It is widely regarded as one of the greatest and most pivotal moments in popular music history and was listed among Rolling Stone's 50 Moments That Changed the History of Rock and Roll.
The event was captured in the successful 1970 documentary movie Woodstock, an accompanying soundtrack album, and Joni Mitchell's song "Woodstock" which commemorated the event and became a major hit for Crosby, Stills, Nash & Young.
Monday, April 12, 2010
GOING HOME – B. B. KING
His reign as King of the Blues has been as long as that of any monarch on earth. Yet B.B. King continues to wear his crown well. At age 76, he is still light on his feet, singing and playing the blues with relentless passion. Time has no apparent effect on B.B., other than to make him more popular, more cherished, more relevant than ever. Don't look for him in some kind of semi-retirement; look for him out on the road, playing for people, popping up in a myriad of T.V. commercials, or laying down tracks for his next album. B.B. King is as alive as the music he plays, and a grateful world can't get enough of him.
For more than half a century, Riley B. King - better known as B.B. King - has defined the blues for a worldwide audience. Since he started recording in the 1940s, he has released over fifty albums, many of them classics. He was born September 16, 1925, on a plantation in Itta Bena, Mississippi, near Indianola. In his youth, he played on street corners for dimes, and would sometimes play in as many as four towns a night. In 1947, he hitchhiked to Memphis, TN, to pursue his music career. Memphis was where every important musician of the South gravitated, and which supported a large musical community where every style of African American music could be found. B.B. stayed with his cousin Bukka White, one of the most celebrated blues performers of his time, who schooled B.B. further in the art of the blues.
B.B.'s first big break came in 1948 when he performed on Sonny Boy Williamson's radio program on KWEM out of West Memphis. This led to steady engagements at the Sixteenth Avenue Grill in West Memphis, and later to a ten-minute spot on black-staffed and managed Memphis radio station WDIA. "King's Spot," became so popular, it was expanded and became the "Sepia Swing Club." Soon B.B. needed a catchy radio name. What started out as Beale Street Blues Boy was shortened to Blues Boy King, and eventually B.B. King.
In the mid-1950s, while B.B. was performing at a dance in Twist, Arkansas, a few fans became unruly. Two men got into a fight and knocked over a kerosene stove, setting fire to the hall. B.B. raced outdoors to safety with everyone else, then realized that he left his beloved $30 acoustic guitar inside, so he rushed back inside the burning building to retrieve it, narrowly escaping death. When he later found out that the fight had been over a woman named Lucille, he decided to give the name to his guitar to remind him never to do a crazy thing like fight over a woman. Ever since, each one of B.B.'s trademark Gibson guitars has been called Lucille.
Soon after his number one hit, "Three O'Clock Blues," B.B. began touring nationally. In 1956, B.B. and his band played an astonishing 342 one-night stands. From the chitlin circuit with its small-town cafes, juke joints, and country dance halls to rock palaces, symphony concert halls, universities, resort hotels and amphitheaters, nationally and internationally, B.B. has become the most renowned blues musician of the past 40 years.
Over the years, B.B. has developed one of the world's most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarist's vocabulary. His economy, his every-note-counts phrasing, has been a model for thousands of players, from Eric Clapton and George Harrison to Jeff Beck. B.B. has mixed traditional blues, jazz, swing, mainstream pop and jump into a unique sound. In B.B.'s words, "When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille."
In 1968, B.B. played at the Newport Folk Festival and at Bill Graham's Fillmore West on bills with the hottest contemporary rock artists of the day who idolized B.B. and helped to introduce him to a young white audience. In ``69, B.B. was chosen by the Rolling Stones to open 18 American concerts for them; Ike and Tina Turner also played on 18 shows.
B.B. was inducted into the Blues Foundation Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 1987. He received NARAS' Lifetime Achievement Grammy Award in 1987, and has received honorary doctorates from Tougaloo(MS) College in 1973; Yale University in 1977; Berklee College of Music in 1982; Rhodes College of Memphis in 1990; Mississippi Valley State University in 2002 and Brown University in 2007. In 1992, he received the National Award of Distinction from the University of Mississippi.
For more than half a century, Riley B. King - better known as B.B. King - has defined the blues for a worldwide audience. Since he started recording in the 1940s, he has released over fifty albums, many of them classics. He was born September 16, 1925, on a plantation in Itta Bena, Mississippi, near Indianola. In his youth, he played on street corners for dimes, and would sometimes play in as many as four towns a night. In 1947, he hitchhiked to Memphis, TN, to pursue his music career. Memphis was where every important musician of the South gravitated, and which supported a large musical community where every style of African American music could be found. B.B. stayed with his cousin Bukka White, one of the most celebrated blues performers of his time, who schooled B.B. further in the art of the blues.
B.B.'s first big break came in 1948 when he performed on Sonny Boy Williamson's radio program on KWEM out of West Memphis. This led to steady engagements at the Sixteenth Avenue Grill in West Memphis, and later to a ten-minute spot on black-staffed and managed Memphis radio station WDIA. "King's Spot," became so popular, it was expanded and became the "Sepia Swing Club." Soon B.B. needed a catchy radio name. What started out as Beale Street Blues Boy was shortened to Blues Boy King, and eventually B.B. King.
In the mid-1950s, while B.B. was performing at a dance in Twist, Arkansas, a few fans became unruly. Two men got into a fight and knocked over a kerosene stove, setting fire to the hall. B.B. raced outdoors to safety with everyone else, then realized that he left his beloved $30 acoustic guitar inside, so he rushed back inside the burning building to retrieve it, narrowly escaping death. When he later found out that the fight had been over a woman named Lucille, he decided to give the name to his guitar to remind him never to do a crazy thing like fight over a woman. Ever since, each one of B.B.'s trademark Gibson guitars has been called Lucille.
Soon after his number one hit, "Three O'Clock Blues," B.B. began touring nationally. In 1956, B.B. and his band played an astonishing 342 one-night stands. From the chitlin circuit with its small-town cafes, juke joints, and country dance halls to rock palaces, symphony concert halls, universities, resort hotels and amphitheaters, nationally and internationally, B.B. has become the most renowned blues musician of the past 40 years.
Over the years, B.B. has developed one of the world's most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarist's vocabulary. His economy, his every-note-counts phrasing, has been a model for thousands of players, from Eric Clapton and George Harrison to Jeff Beck. B.B. has mixed traditional blues, jazz, swing, mainstream pop and jump into a unique sound. In B.B.'s words, "When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille."
In 1968, B.B. played at the Newport Folk Festival and at Bill Graham's Fillmore West on bills with the hottest contemporary rock artists of the day who idolized B.B. and helped to introduce him to a young white audience. In ``69, B.B. was chosen by the Rolling Stones to open 18 American concerts for them; Ike and Tina Turner also played on 18 shows.
B.B. was inducted into the Blues Foundation Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 1987. He received NARAS' Lifetime Achievement Grammy Award in 1987, and has received honorary doctorates from Tougaloo(MS) College in 1973; Yale University in 1977; Berklee College of Music in 1982; Rhodes College of Memphis in 1990; Mississippi Valley State University in 2002 and Brown University in 2007. In 1992, he received the National Award of Distinction from the University of Mississippi.
In 1991, B.B. King's Blues Club opened on Beale Street in Memphis, and in 1994, a second club was launched at Universal CityWalk in Los Angeles. A third club in New York City's Times Square opened in June 2000 and most recently two clubs opened at Foxwoods Casino in Connecticut in January 2002. In 1996, the CD-Rom On The Road With B.B. King: An Interactive Autobiography was released to rave reviews. Also in 1996, B.B.'s autobiography, "Blues All Around Me" (written with David Ritz for Avon Books) was published. In a similar vein, Doubleday published "The Arrival of B.B. King" by Charles Sawyer, in 1980.
B.B. King had been playing Gibsons for over 40 years when he and Gibson officially joined forces in 1982. B.B.'s personal touches on his signature model include the fine-tuner tailpiece, the semi-hollow body with no soundholes and, of course, the name that has adorned his guitars throughout his career Lucille.
Text From: B. B. King, The Official Website, 2010.
GOING HOME
I'm going home to see my baby, i'm going home
I'm going home to see my baby, i'm going home
I'm gonna take her in my arms
I'm gonna hold her all night long
I'm going home to see my baby, i'm going home
I'm going home to see my baby, i'm going home
I'm gonna take her in my arms
I'm gonna hold her all night long
I'm going home to see my baby, i'm going home
So now, hurry up mister man
Load just as fast as you can
The plane is already late
I'm gonna get home as soon as i can
I wanted to take a bus
But they said the road was bad
I started to take a train but a freight was all they had
Load just as fast as you can
The plane is already late
I'm gonna get home as soon as i can
I wanted to take a bus
But they said the road was bad
I started to take a train but a freight was all they had
I'm going home to see my baby, i'm going home
I'm going home to see my baby, i'm going home
I'm gonna take her in my arms
I'm gonna hold her all night long
I'm going home to see my baby, i'm going home
I'm going home to see my baby, i'm going home
I'm gonna take her in my arms
I'm gonna hold her all night long
I'm going home to see my baby, i'm going home
If there is something wrong
Want to you please let me know
Because my baby needs me
And i really really must go
How bad i wanna see my woman
I guess you'll never know
I would start tryin' to walk
But walkin' is too slow
Want to you please let me know
Because my baby needs me
And i really really must go
How bad i wanna see my woman
I guess you'll never know
I would start tryin' to walk
But walkin' is too slow
I'm going home to see my baby,i'm going home
I'm going home to see my baby, i'm going home
I'm gonna take her in my arms
I'm gonna hold her all night long
I'm going home to see my baby, i'm going home
I'm going home to see my baby, i'm going home
I'm gonna take her in my arms
I'm gonna hold her all night long
I'm going home to see my baby, i'm going home
Sunday, April 11, 2010
PERCY JACKSON & THE OLYMPIANS THE LIGHTNING THIEF (RICK RIORDAN)
"Percy Jackson is a good kid, but he can't seem to focus on his schoolwork or control his temper. And lately, being away at boarding school is only getting worse -- Percy could have sworn his pre-algebra teacher turned into a monster and tried to kill him. When Percy’s mom finds out, she knows it's time that he knew the truth about where he came from, and that be go to the one place he'll be safe. She sends Percy to Camp Half - Blood, a summer camp for demigods (on Long Island) where he learms that the father he never knew is Poseidon, God of the Sea. Soon, a mystery unfolds and together with his friends -- one a satyr and the other the demigod daughter of Athena -- Percy sets out on a quest across the United States to reach the gates of the Underworld (located in a recording studio in Hollywood) and prevent a catastrophic war between the gods. "
A Message From Rick Riordan (The Author)
Greetings, young demigods!
Percy Jackson sends his regards. He is attending another new school this year and trying hard not to get kicked out. He promises to keep you posted on his adventures and hopes to see you at Camp Half-Blood this summer!
Until then, keep your swords sharp and your armor well polished.
Best wishes from Mount Olympus,
Rick Riordan.
Thursday, April 8, 2010
CESC IS STILL HURTING
ARSENAL skipper Cesc Fabregas has been ruled out for the rest of the season with a crack in his right fibula
The Spain international picked up the injury during last night's pulsating Champions League quarter-final clash with Barcelona at the Emirates, which ended in a 2-2 draw.
Fabregas' late penalty, awarded after he was brought down by Carles Puyol, levelled the scores after Barca had taken a 2-0 lead. Theo Walcott was also on target for the Gunners.
The news will be a devastating blow to the plans of boss Arsene Wenger, who had only just got his captain back into full action after a hamstring injury earlier in the season.
A club statement said: "Following a scan this afternoon, we can confirm that Cesc Fabregas has suffered a small crack in his right fibula as a result of the collision with Barcelona defender Carles Puyol during Wednesday evening's match.
TWO AND A HALF MAN
Two and a Half Men is an American television comedy series which premiered on CBS on September 22, 2003. The sitcom stars Charlie Sheen, Jon Cryer and Angus T. Jones. The show is talking about a hedonistic jingle writer, Charlie; his uptight brother, Alan; and Alan's young son, Jake.
Charlie's free-wheeling life is complicated and altered when his brother gets divorced and moves, along with his son, into Charlie's beach-front house. There have been six seasons of Two and a Half Men; the seventh season is currently showing. CBS renewed the show for an additional three seasons.The show is consistently ranked one of the most watched comedies every season in the United States. In 2010, CBS Entertainment and Warner Bros. Television reached a multi-year broadcast agreement for Two and a Half Men, renewing the series through the 2011-12 season. Following a February 2010 announcement that Charlie Sheen was entering rehab, filming of the show was temporarily stopped. Filming of the show resumed on March 16, 2010.
CAST
Charlie Sheen as Charles Francis "Charlie" Harper;
Jon Cryer as Dr. Alan Jerome Harper;
Angus T. Jones as Jacob David "Jake" Harper;
Conchata Ferrell as Berta;
Holland Taylor as Evelyn Harper;
Marin Hinkle as Judith Melnick.
EXTERNAL LINKS
Portal Two and a Half Men in PT.
Two and a Half Men in TV.com in EN.
REFERENCES
WIKIPEDIA, the free encyclopedia. http://en.wikipedia.org/wiki/Two_and_a_Half_Men
FINAL FANTASY XIII
Branded by the gods and exiled from their homes. Can they still save the world?
For years, the Final Fantasy series has stood as a seemingly timeless pillar of Japanese role-playing games. With fantastic characters, intricate stories and complex battle systems, Final Fantasy is one of the most recognizable names in the videogame world -- and for good reason. Surprisingly, Final Fantasy XIII abandons a number of well-loved series traditions in favor of a more straight-forward approach. While fans might be concerned by this, the two most important aspects of the series -- the battle system and the narrative -- remain just as strong as they always have.
In Final Fantasy XIII, players take control of six different characters with the sharp-eyed Lightning taking the "lead role." Although the game does tend to stress Lightning as the primary heroine, Final Fantasy XIII is reminiscent of Final Fantasy VI in that you control all the characters at different times and you jump between the groups frequently. This multi-story approach, as well as a clever use of flashbacks, makes Final Fantasy XIII's story quite enjoyable, at least in terms of its structure.
Final Fantasy XIII can tiptoe (or "stumble," depending on the scene) into the melodramatic, but fans of the series shouldn't be too surprised. What was more intriguing to me, beyond the standard growth of the characters, was the dynamic established between the two worlds of Final Fantasy XIII -- Cocoon and Pulse -- as well as the relationship between humans and their fal'Cie counterparts. Like various religions of the world, the mythology of Final Fantasy XIII incorporates god-like beings (the fal'Cie) that protect humanity. These themes are extremely important to the plot of Final Fantasy XIII and I very much enjoyed them.
SOURCE: IGN
In Final Fantasy XIII, players take control of six different characters with the sharp-eyed Lightning taking the "lead role." Although the game does tend to stress Lightning as the primary heroine, Final Fantasy XIII is reminiscent of Final Fantasy VI in that you control all the characters at different times and you jump between the groups frequently. This multi-story approach, as well as a clever use of flashbacks, makes Final Fantasy XIII's story quite enjoyable, at least in terms of its structure.
Final Fantasy XIII can tiptoe (or "stumble," depending on the scene) into the melodramatic, but fans of the series shouldn't be too surprised. What was more intriguing to me, beyond the standard growth of the characters, was the dynamic established between the two worlds of Final Fantasy XIII -- Cocoon and Pulse -- as well as the relationship between humans and their fal'Cie counterparts. Like various religions of the world, the mythology of Final Fantasy XIII incorporates god-like beings (the fal'Cie) that protect humanity. These themes are extremely important to the plot of Final Fantasy XIII and I very much enjoyed them.
SIMPLE PRESENT AND PRESENT CONTINUOUS
SIMPLE PRESENT
AFIRMATIVA | NEGATIVA | INTERROGATIVA | |||
I | am | I | am not | Am | I? |
You | are | You | aren't | Are | you? |
He | is | He | isn't | Is | he? |
She | is | It | isn't | Is | she? |
It | is | It | isn't | Is | it? |
We | are | We | aren't | Are | we? |
You | are | You | aren't | Are | you? |
They | are | They | aren't | Are | they? |
AFIRMATIVA | NEGATIVA | INTERROGATIVA | |||||
I | work | I | don't | work | Do | I | work? |
You | work | You | don't | work | Does | he | work? |
He | works | He | doesn't | work | Does | he | work? |
She | works | She | doesn't | work | Does | she | work? |
It | works | It | doesn't | work | Does | it | work? |
We | work | We | don't | work | Do | we | work? |
You | work | You | don't | work | Do | you | work? |
They | work | They | don't | work | Do | they | work? |
PRESENT CONTINUOUS
AFIRMATIVA | NEGATIVA | INTERROGATIVA | |||||
I | am working | I | am not | working | Am | I | working? |
You | are working | You | aren't | working | Are | you | working? |
He | is working | He | isn't | working | Is | he | working? |
She | is working | She | isn't | working | Is | she | working? |
It | is working | It | isn't | working | Is | it | working? |
We | are working | We | aren't | working | Are | we | working? |
You | are working | You | aren't | working | Are | you | working? |
They | are working | They | aren't | working | Are | they | working? |
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